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	<title>Deborah Tchoudjinoff</title>
	<link>https://deboraht-ff.com</link>
	<description>Deborah Tchoudjinoff</description>
	<pubDate>Tue, 21 Jan 2025 11:36:30 +0000</pubDate>
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		<title>Never in the same place twice</title>
				
		<link>http://deboraht-ff.com/Never-in-the-same-place-twice</link>

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		<pubDate>Tue, 21 Jan 2025 11:36:30 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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		<description>Never in the same place twice, 2024 for Cure










³ 2025



 
Batteries, magnets, copper sheets, resin, steel sheetPhotographs by Cure³.

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Home©2025 Deborah Tchoudjinoff</description>
		
		<excerpt>Never in the same place twice, 2024 for Cure           ³ 2025      Batteries, magnets, copper sheets, resin, steel sheetPhotographs by Cure³.            ...</excerpt>

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		<title>CV Portfolio</title>
				
		<link>http://deboraht-ff.com/CV-Portfolio</link>

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		<pubDate>Tue, 30 Jul 2024 13:56:52 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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		<title>The City of Gold Text</title>
				
		<link>http://deboraht-ff.com/The-City-of-Gold-Text</link>

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		<pubDate>Tue, 21 Nov 2023 19:49:13 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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		<title>City of Uranium</title>
				
		<link>http://deboraht-ff.com/City-of-Uranium</link>

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		<pubDate>Fri, 01 Jul 2022 10:58:01 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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		<description>The City of Uranium - Dated Late Mesozoic


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“The lever is stuck again.” said Cota.


“Let me take a look.” Bold replies. He makes his way over to Cota, adjusting his safety helmet where a small torch is mounted. The bright colours of their thick, insulated coveralls make it easy to spot one another. After a few minutes of grunts, clockwise and counter clockwise movements with a magnetic spanner, he pulls down the lever that had been jammed. Cota parks his ear toward the ceiling, a low frequency hum fills the tunnel starting from the northern entrance. A straight line of LED’s activated by the switch flick on, illuminating the fluorescent ground. They both sign with relief and look ahead of them at the endless pattern of tunnel stretching for miles. 


“We should let them know this is the second time this month, that lever, and I should also get a pair of handy spanners like yours.” Cota smiles. The concrete tunnel absorbs the sound of their boots along the coated floor. They walk through the tunnel stopping at each power unit fitted with heat sensors, display panels with thin almost invisible LED’s, and a multitude of cryptic hazard signs. On a thin, transparent film they jot down the numbers on the displays. This is their routine check and has been for the previous ten decades, and through this Cota and Bold found comfort in their work with one another. They continue with the check for another half of a mile down the structure, the power units fitted every 2 meters on either side of the hollow arch. 


Beyond the half while where they are standing, the architecture stretches into a labyrinth of multi-floor shafts, miles and miles burrowed beneath the surface of the land. Large passageways connect to smaller passages which then connect to inaccessible, sealed off rooms. These rooms walled off by thick layers of steel and clay, clearly with no possibility for entry. Each room is supported by spindly concrete arms that lead to more impenetrable door closures, and ends at numerous check points, one of the many where Cota and Bold are stationed.

Cota and Bold turn back around at the end of the half mile, blocked abruptly by a large steel door decorated with hazard signs. They turn around and make their way back toward the entry through which they came in. Bold pulls the lever, a heavy door soundlessly glides down form a space between the concrete sealing it shut. They enter a life which silently hoists them up toward the surface, passing meters of dark space. 


Back inside their shared concrete chamber, they both glance through the thick glass window. Outside at the most southern point of the Earth, the wind is picking up bits of loose snow, moving it across some distance and depositing it onto the barren yet mountainous Earth scape. The sky is the colour of deep dark blue canvas.


“Like one?” Bold asks pointing to one of the sachets he is holding, about to tear it open. 


“Sure.” Cota answers. Bold takes another sachet of mixed powder, opening and tipping each sachet into a metal cup. He reaches for the glass flask he prepared before their routine check, the steam of the hot liquid fogging his eye goggles. 


Cota thanks him as they sit down on the edge of a bed and continue looking out the window. The increasingly strong wind outside throws snow against the glass, making just the smallest trace of sound. &#38;nbsp;











Home©2022 Deborah Tchoudjinoff</description>
		
		<excerpt>The City of Uranium - Dated Late Mesozoic    “The lever is stuck again.” said Cota.   “Let me take a look.” Bold replies. He makes his way over to Cota,...</excerpt>

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		<title>Ovoo, The City of Gold</title>
				
		<link>http://deboraht-ff.com/Ovoo-The-City-of-Gold</link>

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		<pubDate>Sat, 23 Apr 2022 14:05:18 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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Ovoo, The City of Gold 2022 as part of the group show The Comrades They Were Brave - We Salute You! at 44 Great Russell Street, London. Curated by Cecilia Sjoholm with participating artists Garth Gratrix, Hatty Buchanan, Iain Hales, Jillian Knipe, and Laura Moreton-Griffiths.Found materials (newspaper, rope, twine, fabric), plaster, gold leaf, steel tube, printed fabric, and 360 Moving Image (watch here).
Photographs by David Goymer.
Watch the video of the Artists in Dialogue chaired by Morgan Quaintance.


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Home©2022 Deborah Tchoudjinoff</description>
		
		<excerpt>Ovoo, The City of Gold 2022 as part of the group show The Comrades They Were Brave - We Salute You! at 44 Great Russell Street, London. Curated by Cecilia Sjoholm...</excerpt>

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		<title>The Comrades they were brave - we salut you!</title>
				
		<link>http://deboraht-ff.com/The-Comrades-they-were-brave-we-salut-you</link>

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		<pubDate>Tue, 01 Feb 2022 15:13:11 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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		<description>&#60;img width="2560" height="1707" width_o="2560" height_o="1707" src_o="https://cortex.persona.co/t/original/i/b8587e10550183b8998d2fdb59fb02e9d19c206de8dcd130bf77da958dc096c1/Horgo.jpeg" data-mid="1159511" border="0" /&#62;

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Image from Wiki Commons


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		<excerpt>Image from Wiki Commons</excerpt>

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		<title>Assemblage</title>
				
		<link>http://deboraht-ff.com/Assemblage</link>

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		<pubDate>Wed, 26 Jan 2022 16:21:00 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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&#60;img width="1600" height="1200" width_o="1600" height_o="1200" src_o="https://cortex.persona.co/t/original/i/f1f0bbcafaad8811abba35cbacdd80c97580e83b78d0ee757a661211b11bb203/digger4.jpg" data-mid="1158087" border="0" /&#62; 
Digital prototype 2015
&#60;img width="2304" height="1728" width_o="2304" height_o="1728" src_o="https://cortex.persona.co/t/original/i/47bf2920c7dc9d1f26ee548da3cafde9fd89f530d19fc762baebd3bc32173dd4/100_6601.JPG" data-mid="1158089" border="0" /&#62;Steel explorations 2004
&#60;img width="1600" height="1200" width_o="1600" height_o="1200" src_o="https://cortex.persona.co/t/original/i/242ee46dcb5182752cdd6704392468a2171bd2f425137877f30e55fa4f40dec8/flattener_a9.jpg" data-mid="1158091" border="0" /&#62;
Digital prototype 2015
&#60;img width="2304" height="1728" width_o="2304" height_o="1728" src_o="https://cortex.persona.co/t/original/i/4bc38a07baccccebd6cb30b2cabb43d046ccb182958904e27b5f4c50c846c141/100_6603.JPG" data-mid="1158092" border="0" /&#62;Steel explorations 2004
&#60;img width="2552" height="1440" width_o="2552" height_o="1440" src_o="https://cortex.persona.co/t/original/i/518cc6c6f5a38b3e40a2bce466da20430fdcd7d89a7e1027c6f91afa7077dbbb/Screenshot-2020-11-11-at-18.34.03.png" data-mid="1158096" border="0" /&#62;Film prototype 2014

&#60;img width="2538" height="1436" width_o="2538" height_o="1436" src_o="https://cortex.persona.co/t/original/i/46fe2a86b143919d3b3fa531b49b6fbbcf53336756276f3c5bfced4851707816/Screenshot-2020-11-11-at-18.36.16.png" data-mid="1158098" border="0" /&#62;Film prototype 2014
&#60;img width="4000" height="3000" width_o="4000" height_o="3000" src_o="https://cortex.persona.co/t/original/i/fef61e1dff3bbd358da14d6b6a488e7fb2e2b1eee8e7af97cf79b590f0849851/IMG_0418.JPG" data-mid="1158099" border="0" /&#62;Mechanism 2016

&#60;img width="4000" height="3000" width_o="4000" height_o="3000" src_o="https://cortex.persona.co/t/original/i/3b2da35559529d0581bb0988aec9e192f771bbe431a5e7e28980df939a00c3da/IMG_0423.JPG" data-mid="1158105" border="0" /&#62;Material prototype 2014


&#60;img width="1600" height="1200" width_o="1600" height_o="1200" src_o="https://cortex.persona.co/t/original/i/a54b9439a26f22f9ed621d882b6eb261b321692fdd3493dfded7eeed41d800ca/machine11.jpg" data-mid="1158107" border="0" /&#62;Digital prototype 2016
&#60;img width="5760" height="3240" width_o="5760" height_o="3240" src_o="https://cortex.persona.co/t/original/i/45ca91488f85e6a544d588b795ed4887e91051f69c0c477e16ce6e1466fc3380/_60A9849.JPG" data-mid="1158108" border="0" /&#62;Micro-macro, arduino, fans, paper 2014


&#60;img width="2448" height="3264" width_o="2448" height_o="3264" src_o="https://cortex.persona.co/t/original/i/2c0d76b338d12dc682a771c3a57c3e9698fb84a01ecc169c263f03db70d05f90/IMG_0742.JPG" data-mid="1158118" border="0" /&#62;Set design with cardboard 2016
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" src_o="https://cortex.persona.co/t/original/i/715b968d3f6165c27e6d94aa8c9a82d1e998805cb78f635900a54f96eb91f628/deborah_psyterratica_03.jpg" data-mid="1158110" border="0" /&#62;Terratica 2016
&#60;img width="4000" height="2760" width_o="4000" height_o="2760" src_o="https://cortex.persona.co/t/original/i/9fb733293c990ca26b4e74666f0ed72c0a34dc23a6cf04b7bda5f2a84f3a0b6b/IMG_0690.jpg" data-mid="1158112" border="0" /&#62;Terratica 2016

&#60;img width="1600" height="1200" width_o="1600" height_o="1200" src_o="https://cortex.persona.co/t/original/i/f3ccf396d31b3fe5c706b916849ae3ed68bdc4ea331004611a9cd099f5b4fb93/saddleidea.jpg" data-mid="1158116" border="0" /&#62;Baigala I 2018

&#60;img width="1830" height="1300" width_o="1830" height_o="1300" src_o="https://cortex.persona.co/t/original/i/dbba075e0ec92a34b717bf2345bb6577bc1c161f463c0575de6e8f9301521564/Screenshot-2020-03-14-at-11.46.12.png" data-mid="1158119" border="0" /&#62;Baigala I 2018
&#60;img width="2909" height="3455" width_o="2909" height_o="3455" src_o="https://cortex.persona.co/t/original/i/815d0e033c0c8334abf8cebbe4f6846c51e2b66328835a32c9ffdedf1dc6ebe4/39n9w_deakin.jpg" data-mid="1158129" border="0" /&#62;38°N9°W 2021

38°N9°W


    
38°N9°W 2021
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" src_o="https://cortex.persona.co/t/original/i/6602b4a4a9c1b0b6153700ccf7813516d2a941aa282ddde4f3cbe38faa7c97ee/NEW-Baigala-II-Palacio-Sinel-02-courtesy-of-the-artist-Deborah-Tchoudjinoff.jpg" data-mid="1280853" border="0" /&#62;Baigala II 2022
B
&#60;img width="1280" height="960" width_o="1280" height_o="960" src_o="https://cortex.persona.co/t/original/i/133776c959139c022479ba24ae0ccf5dbe9d0df51a9ae1c2d82dd5691193afb8/BaigalaII_Terra_DeborahTchoudjinoff.jpeg" data-mid="1280854" border="0" /&#62;
Baigala II 2022
&#60;img width="1654" height="1270" width_o="1654" height_o="1270" src_o="https://cortex.persona.co/t/original/i/55fc367d4aea134af001a81850fbc0bd46d922b945009e1da43fc8446889f71e/Screenshot-2023-04-19-at-12.56.55.png" data-mid="1280844" border="0" /&#62;
Huso Huso 2023
&#60;img width="2034" height="1162" width_o="2034" height_o="1162" src_o="https://cortex.persona.co/t/original/i/98b7be589fe592b14284dd2a07ec29ffe12761fde3dd5e6362a54dbe5efe40c9/Screenshot-2023-04-19-at-12.56.30.png" data-mid="1280843" border="0" /&#62;Stasis, 2023    
    
    

Stasis 2023</description>
		
		<excerpt>Digital prototype 2015 Steel explorations 2004  Digital prototype 2015 Steel explorations 2004 Film prototype 2014  Film prototype 2014 Mechanism 2016  Material...</excerpt>

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		<title>38°N9°W</title>
				
		<link>http://deboraht-ff.com/38-N9-W</link>

		<comments></comments>

		<pubDate>Thu, 19 Aug 2021 16:02:44 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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38°N9°W, 2021Four colour screenprint on cotton, custom lightboxOn show at JGM Gallery 11 August - 25 September
38°N9°W is a multimedia installation that explore our fascination and understanding of sunsets. I was inspired by the sunsets in Portugal where I spent learning to surf last summer. The scattering of sunlight created vibrant purple, pink, orange hues on the horizon - even more pronounced in Portugal's location by the Atlantic Ocean. 38°W9°N  is a multimedia piece that plays with the reconstruction of that light experience artificially, in the context of lockdown. This new work is a take on placemaking, creating versions of home lived and experienced. The work was produced at 3rdrailprintspace in Peckham, London.&#38;nbsp;

With photographs by Benjamin Deakin.


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Home©2021 Deborah Tchoudjinoffddd</description>
		
		<excerpt>38°N9°W, 2021Four colour screenprint on cotton, custom lightboxOn show at JGM Gallery 11 August - 25 September 38°N9°W is a multimedia installation that...</excerpt>

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		<title>Baigala II</title>
				
		<link>http://deboraht-ff.com/Baigala-II</link>

		<comments></comments>

		<pubDate>Tue, 10 Mar 2020 15:58:43 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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Baigala II, 2022Plywood, 360 video on Oculus Go, Wool and printed fabric
Exhibited at Lisbon Architecture Triennale 6th Edition ‘Terra’ 2022 and&#38;nbsp; at V+A Museum Digital Design Weekend (2019)











Geomythology is the study of landscape mythology that accounts for geological events, features, or phenomena in oral and written records and in the form of poetry or myths. Baigala II is an installation inspired by the Mongolian ‘ger’ to invite viewers to become part of the daily life of a herding family on Lake Tsohoor and to discover the geomyths around this site through a virtual reality experience.




 

Request to view VR videos


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Home©2022 Deborah Tchoudjinoff




	
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		<excerpt>Baigala II, 2022Plywood, 360 video on Oculus Go, Wool and printed fabric Exhibited at Lisbon Architecture Triennale 6th Edition ‘Terra’ 2022 and&#38;nbsp; at V+A...</excerpt>

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		<title>Baigala Videos</title>
				
		<link>http://deboraht-ff.com/Baigala-Videos</link>

		<comments></comments>

		<pubDate>Mon, 11 Feb 2019 01:33:36 +0000</pubDate>

		<dc:creator>Deborah Tchoudjinoff</dc:creator>
		
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		<description>Baigala, 2018 Five Heads (Tavan Tolgoi) Art, Anthropology, and Mongolian FuturismVR, Plywood, SteelExhibited at GreenGrassi Gallery
VR Technical adviser Jeremiah AmbroseReviewed by Art Agenda , and ArtAsiaPacific’s Nov/Dec 2018 Issue 111




Watch Scene at Khushuut Coalmine

Watch Scene at Tsoohor Lake



Watch Scene within the YurtWatch Scene outside of the Yurt



©2019 Deborah Tchoudjinoff




Ssdfdfsdfdf</description>
		
		<excerpt>Baigala, 2018 Five Heads (Tavan Tolgoi) Art, Anthropology, and Mongolian FuturismVR, Plywood, SteelExhibited at GreenGrassi Gallery VR Technical adviser Jeremiah...</excerpt>

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